The Chronological History of MMA
Chapter 4: PWFG Grand Opening 2nd 5/16/91 Tokyo Korakuen Hall
By Michael Betz & Mike Lorefice 1/6/20

We find ourselves back at the Korakuen Hall, ready for another chapter of the PWFG. So far, we have witnessed the birth of a nexus of shoot style promotions that will eventually help solidify and define MMA in the years to come. Greeted by a soothing synth beat, infamous catch-wrestling legend Karl Gotch puts the crew through their paces. One look at this, and we can see a glimpse as to why PWFG went on to produce some of the best fighters of the early MMA era. In fact, Gotch may be an unsung hero in the annuls of MMA history, because if his influence hadn't saturated Japanese Pro Wrestling since the early '70's, and had he not been a forerunner in the formation of the original UWF promotion, there may not have been a Shooto, Pancrase, Pride, or any Japanese MMA for that matter. It's very possible that the UFC would have been regulated to a quick infomercial for Gracie Jiu-Jitsu, if we didn't have people like Ken Shamrock and Dan Severn, who both got their start in MMA by way of Japanese shoot wrestling, to provide stylistic foils and counter narratives in those early chapters of its history.

Gotch, who was honored by the PWFG roster at the outset, gave the following speech, "Ladies and Gentlemen, the road to success is made of luck, sweat, and tears. The first steps have been made, and a lot of work lays ahead of us. With the spirit of Fujiwara-Gumi we can face the future with confidence. I hope we can give wrestling back the honor it deserves. So, it can be done with the same respect as it is in boxing, which it once had. The time has come to give the public what it pays for, and not to take their money under false pretenses by impersonating a professional wrestler." The speech is rather fascinating as it clearly shows the essence of what MMA has always wanted to be, which is REAL pro wrestling, and it offers a glimpse into what was surely the vision of people like Gotch, Lou Thez, Billy Robinson and other hookers from a bygone era where carnival wrestling had roots in effective martial art techniques, and its practitioners honed and perfected their secrets via a subculture that was happy to exchange its esoteric concepts with one another. It may also reveal how insecure the powers in charge may have been about actually providing real shoots. One must wonder, if somebody like Fujiwara simply didn't think there was a paying public for real pro wrestling and had no choice to pull the wool over the eyes of its fanbase. In any event, Gotch's vision didn't really take formation until the founding of Pancrase in late '93, and we are given even more evidence that Pancrase is the culmination of what the PWFG should have been from the beginning.

After the formalities, we are treated to a very young and very fresh faced Minoru Suzuki, who these days looks like he may just be a tad under 800 years old. This saddening observation has made me ponder many of the deeper things in life, such as if the rigorous shooting career Suzuki had in the mid-late 90s added about 750 of those years to his body. Here Suzuki must face Kazuo Takahashi, who became one of the first fighters to conquer a BJJ black belt with a win over Wallid Ismail at UFC 12, thus garnering a reputation as a very tough opponent, regardless of whatever fighting skills he may have lacked. Suzuki and Takahashi start off in the clinch, and the first couple of minutes look a lot like a Greco-Roman wrestling match until Takahashi shoots in and aggressively goes for a double. Suzuki tries to ward this off with a sprawl, but after struggling for a couple of seconds, he defaults to a nasty knee to the midsection of Takahashi, with a couple of palm strikes thrown in for good measure. I'm really digging how Suzuki incorporated striking in his shoot-style days. He seemed to use his strikes as tools to open up submission attempts, or as a way to break a stalemate when his normal grappling tools were being stalled out, and to me, this added a lot of nuance to his matches. Takahashi continues his strategy of trying to blast through Suzuki with a power-double, but can't seem to get the job done. He switches to a single-leg attempt, to which Suzuki briefly tried a guillotine counter, but couldn't get the requisite leverage with one of his legs in the air, so he let go of Takahashi and was able to side step into a slick Kimura (double wrist lock) attempt. He quickly gives up on the Kimura and goes for an armbar, in which he sets up by squishing Takahashi's face with his forearm/palm, to which I wholly approve of. This was a great way to open the show and set the tone for the event. A realistic match that was faced paced, and didn't have any real holes or lulls in the action.

They really tried to sell Yusuke Fuke vs. Bart Vale as a lighting fast/undersized grappler vs. a monster striker, and it probably worked well for its era, but under a modern eye it isn't believable due to the oafish slowness of Vale. Vale's offense looks passable when he's throwing kicks, but when he gets taken down to the ground by someone as lithe as Fuke, he simply doesn't have the movement or the ability to make it seem like he would be any kind of credible threat, despite having a significant weight advantage. The match is entertaining, fast paced, and contains several great takedowns by Fuke, but the believability is lacking.

Yoshiaki Fujiwara vs. Wellington Wilkins Jr was another well-paced, entertaining bout that lacked credibility. In this case, it wasn't due to the matchup itself, as both Wilkins and Fujiwara complemented each other and came across as equally skilled opponents, but rather because it was simply too showy to be a good example of this new style of wrestling. A lot of flashy suplexes and takedowns, mixed in with some stiff striking and goofy antics from Fujiwara. Fun, but definitely the most rooted in the more common pro wrestling spectrum.

With Naoki Sano vs. Ken Shamrock, we get to a true treat, and the highlight of this card. PWFG's lack of star power on the bottom tier of their roster definitely led to some unfortune excursions into the more obscure corners of the jobber universe, but in this case, their subcontracting out some talent led to a homerun. Sano started his carrer in the '80s as a jobber for NPJW before getting a chance to hone his craft in Mexico in '87 and he was able to parlay that experience into a successful run in the Jr. Division of NJPW, with some memorable matches against Jushin Liger. When SWS (Super World of Sports) started doling out the cash in the early '90's he jumped aboard the gravy train, and was plying his craft there when PWFG worked out an agreement to have him loaned out for a couple of matches. His stay here was brief, as Kazuo Yamazaki and Nobuhiko Takada lured him over to the UWF-I when PWFG was collapsing the next year. If Sano is known at all to a modern MMA fan, it is probably for his surprisingly good showing against Royler Gracie at Pride 2, in which he was able to nullify a lot of Royler's offensive tools, and could have possibly caused a major upset had he not been so tentative in that fight. Sano seems like a perfect opponent for Shamrock, similar height, an impressive bodybuilder physique, this is looking like a clash between the unstoppable force vs the immoveable object. The first few minutes consist of feeling each other out on the ground, with Ken looking for a leg attack entry. This is interesting to watch from a modern vantage point, the Japanese style had no interest in the BJJ "position over submission" mentality. Sano will attempt to place Ken in a bad position, and as soon as Ken is able to reposition himself, he instantly goes for the attack, which was the mindset of the then more prevalent Catch Wrestling style.

Both men jockey back and forth on the ground for a while, trading kimuras, toe holds, and choke attempts until until Shamrock is finally able to secure a rear naked chock, thus forcing a rope escape. They get stood back up and escalate the entire affair with some stiff palm strikes and nasty knees from Sano. Everything is looking very snug and believable until a momentary show of flashiness takes place with a jumping DDT from Sano. This didn't really amount to a whole lot, as Shamrock quickly reversed his position by applying a hammerlock variant into another rear naked choke attempt and rope escape. After trading a couple of kicks, Shamrock hits an explosive Northern Lights suplex into a Kimura, which is super impressive looking, but admittedly fake as all get out. This surprisingly didn't accomplish much as Sano was right back up with some more kicks, and managed to score a knockdown against Shamrock. Shamrock gets back up and they continue to trade submission attempts, but one thing I'm starting to notice is that this has a great back and forth feel, without the sometimes-scripted feeling that a Rings match would give off. The limited rope-escape format of RINGS could add a lot of drama to a match, but oftentimes produced matches that felt very formulated. The PWFG approach of unlimited rope escapes allows for a much more organic match to take place, although it can also lead to bouts of meandering if not done correctly.

The match continues to seesaw all the way until the 25:00 min mark, when everything culminates into an explosive crescendo, as both men give everything they have into knees/palm strikes towards one another. Sano gets behind Shamrock and hits a Dragon suplex followed by a straight armbar for the win. While not perfect, this was a great match that really showcased the new and uncharted territory that this style could deliver. It was fairly credible, outside of a few highspots and Shamrock's striking needing to be a bit stiffer. Still, this was a glimpse of some of the magic to come, and Sano proved to a perfect foil to the powerhouse that was Ken Shamrock.

Now, much like the Hindenburg, this show must come crashing down in similar fashion. We have Masakatsu Funaki vs Johnny Barrett, which if this had to exist at all, should have at least been towards the bottom of the card. Having someone as slow and out of shape as Barrett in a main event is truly baffling. Funaki does what he can with him, and while it isn't completely horrible, it was a totally anti-climatic letdown after the greatness of Shamrock/Sano. While PWFG haven't quite hit their stride, we are starting to see that they have the most potential of the three Shoot-Style leagues to really break into greatness. Although they weren't able to keep a consistent stylistic tone, all of the matches were entertaining, and if they can manage to broaden the shallow end of their talent pool, then they might be a dangerous force to reckon with.

Mike Lorefice's thoughts:

Not to take anything away from Karl Gotch, or especially Billy Robinson, who was the most gifted pro wrestler of his generation, but everyone involved in these "shoot leagues" was continuing to perpetuate the myth of reality by screaming really loudly about being different while actually only inching further from the long established norms of pro wrestling. This, of course, is exactly what one would expect, people grouping with those who are seemingly most similar and continuing to do more or less exactly what they've always done, not attempting to enact legitimate change but making the easy & safe choices that simply shif things ever so slightly, mostly by excluding from their clique and directly or indirectly running down those who don't fit into their current needs, in this case the phony posers. While Gotch, Robinson, Lou Thesz, Nick Bockwinkel, etc. were assets as trainers given the style the new generation was going to be working, certainly worlds more useful than doing 1000 squats in sync for Buddy Lee Parker, and in some cases such as Sakuraba & Tamura actually helped provide some tools that translated into legitimate fighting success, instead bringing in current or recently retired tournament or Olympic competitors in judo, amateur wrestling, BJJ, kickboxing, karate, taekwondo, etc. to train would surely have led to a more unique style & pushed things toward legitimate fighting a little quicker, probably still not under Fujiwara though, as taking on guys half his age for real was obviously not going to be a recipe for success or longevity. Rorion Gracie's ulterior motive for starting UFC was to prove that Gracie BJJ was the essential martial arts discipline, but with all the established players in the shoot leagues being from the same rigged discipline, there was no advantage, especially for Fujiwara, to removing his own safeguards. That being said, I think we are already starting to see a very important change due to Gotch, who helped instill the much needed Greco-Roman wrestling discipline that was largely missing in the UWF.

The main evolution we were seeing in these shoot leagues in 1991 is that the splintering of the UWF resulted in leagues needing to find new fighters to fill out their cards. One of the most important of these fighters was Kazuo Takahashi, a high school state champion in amateur wrestling who also had some training in karate. While Takahash's wrestling in this match was still too upper body centric, his attempting double & single leg takedowns was still an important step forward from the hokey status quo that, bereft of any real wrestling knowledge, included Akira Maeda relying on the captured suplex to transition to the mat. While nowhere near as entertaining as Suzuki's match with Shamrock on the 1st show, you can clearly see that Suzuki was forced to up his game here, combating the then unusual wrestling style of Takahashi by timing & countering his explosions with strikes & submissions. The match was very brief with Takahashi not really doing anything but looking for the takedown, and while the finish was not that impressive, overall it showed Suzuki to really get it in terms of being able to adapt to his opponent and counteract them through good timing.

Fuke debuted the prior August, going 1-1-1 against fellow rookie Masahito Kakihara before UWF closed. As with the previous match, the quality of amateur wrestling was much higher than it has been, with Fuke quickly hitting a single leg, which was also good strategy giving he was giving up a lot of weight to a kickboxer with a background in kenpo karate. Fuke showed a lot of potential, but Vale, while not awful, lacks any of the elements that make a fighter interesting such as speed, grace, & fluidity. He did some downright weird things, such as escape an armbar attempt by rolling to his left side & kicking Fuke in the head with his right leg, which drew a delayed chuckle from the Korakuen faithful. While I'll credit Vale with his willingness to allow Fuke to take him down & put him on the defensive rather than forcing a standup contest, Vale really didn't possess the skills necessary to put over his comebacks off his back.

After two examples of why PWFG was an improvement because you had new blood taking things in a more credible, martial arts based direction, Fujiwara comes out against a badly overmatched Wilkins, and because he doesn't take him the least bit seriously, does the PWFG version of a comedy match. Sure, this was credible by the standards of Hogan & Flair, but even if the work was arguably within the absolute loosest definition of shoot style, the desired reaction to their spots was giggling. They probably could have done a good match if they wanted to, but instead they did a cringeworthy exhibition that probably embarrassed some of the other performers because it was so obviously illegitimate in virtually every way.

Sano is something of a controversial figure, a guy who left NJPW at the height of his potential after a brilliant fued with Jushin Thunder Liger to compete in a promotion that supplied him with no legitimate rivals opponents, and spent the next several years paying for it when they failed. While Tenryu made Sano the flagbearer for the SWS light heavyweight division, a position he never would have held in NJ given Liger (as Tenryu never would have been tops in AJ given Jumbo Tsuruta), the overroided Model version of Rick Martel and a pre slapnuts J-E-FF J-A-RR-E-TT, were not the sort of opponents you were going to have futuristic matches with, as Sano had with Liger. Luckily, Sano found a home in the shoot style leagues, and while after leaving New Japan, perhaps only his program with Minoru Tanaka could be said to have approached the upper eschelons of junior heavyweight wrestling, he was a consistently good performer in the more realistic PWFG & UWF-I styles, with high quality matches against Minoru Suzuki & Kiyoshi Tamura. These highlights were somewhat overshadowed though by a bad run in MMA where he went 0-4 and just hanging on 12 years and counting beyond his expiration date, making people forget that he was reasonably good during his first 5 or so years in NOAH by terrorizing audiences with his terrible perpetual tag contending duo with clutzy uncoordinated Takayama, a team he clearly needed to be totally carrying, except sadly he was very obviously far too broken to do so.

Suzuki's match with Shamrock on the previous show was considerably better because he has a lot more ability to both lead & react, and is by far the most creative of the three, but while Shamrock was forced to initiate a lot more here, he was able to maintain his patience & do a good job, with Sano bringing some good things to the match. Sano was the better standup fighter, landing some solid low kicks early (though he didn't really attempt to follow them up) and a lot of good openhand shots that helped force Shamrock into a more grappling centric performer. The basis of the match was ultimately Shamrock controlling with superior wrestling, forcing Sano to make things happen. It's unfair to compare a shoot debuting Sano to Suzuki in the style Suzuki has been training in for 2 years, but in any case Sano obviously wasn't totally ready to match his ability in junior heavyweight action yet. He was good in the striking exchanges and had some submissions in his arsenal, but most of his transitions & counters would have taken the bout to a more puroresu place, and he was trying not to go there too often. While the bout had the long match vibe too it throughout, emphasizing position changes on the mat over finishing opportunities, that was mostly okay because they kept the credibility a lot higher than it would have been, even if things meandered a bit more. I don't want to make it sound as if credibility was near the top of their priorities, Sano got a takedown with a jumping DDT and a knockdown with a jumping spinning heel kick that mostly missed, while Shamrock did a few of his suplexes, but they built the match up well to these meaningful highlights, and didn't lose the plot when they failed to finish with them. Sano began to press in the standup, with Shamrock happy to get involved in a flurry because it would help him grab Sano & land his clinch knees, which tended to result in the bout hitting the mat one way or another. The finish didn't really work for me because by continuing to exchange the openhand strikes on the inside, Sano somehow getting behind Shamrock when he missed one of these short shots without much hip turn was pretty clunky. Nonetheless, Sano did a released version of one of his wrestling favorites, the Dragon suplex, turning into the wakigatame for the finish. Definitely a good match, you could certainly argue very good, but my memory of it was better than it looks to me today. ***1/2

Funaki almost had a match against himself tonight, and managed to look great anyways, with his slick execution and calm, in control demeanor. Barrett brought absolutely nothing to the table, pretty much just standing there and allowing Funaki to have his way with him because he was way too slow and unskilled for Funaki. While this was a passable exhibition where Funaki only broke a sweat because he felt like it, but exhibitions are supposed to start the card, not be the conclusion after a high quality, long, competitive bout like Shamrock/Sano.

In other news:

Blackbelt Magazine ran a hilarious article explaining Gracie Jiu Jitsu's "unbeatable mount position" claiming the mount was unique to them, and that, according to Rorion Gracie, "no one lacking Gracie jujitsu training has been able to successfully counter the mount position."

Maurice Smith squared off against Peter Smit at an All Japan Kickboxing event on 5-21. There was a lot of trash talk and dirty looks from Smit and his crew leading up to the first round, and Smit continued to act arrogantly after the round started. Despite all of his bluster, Smit had absolutely nothing for Smith, and was never able to generate any significant offense. At one point during round 1, Smith become irritated at Smit's antics and picked him up and slammed him to the ground. This caused a look of confusion and bewilderment from Smit, who seemed puzzled as to how Maurice could just have his way with him like that. Smit regained his composure by round 2, but still wasn't able to effectively break through Smith's defenses. Things started to get interesting in round 3, as Smit was finally hitting his stride. While he wasn't landing any bombs, he was able to stifle Smith, which seemed to frustrate him, and shortly before the 2min mark, Smith bodylocked Smit, took him down, and initiated some ground and pound. This caused several people in Smit's corner to jump onto the ring apron and threaten Smith, while the referee panicked. The ref managed to break it up and declared Smit the winner. Smith then calmed down and apologized to Smit and asked him to come back into the ring and finish the fight. The ref seemed unwilling at first, but after cutting to a montage of the melee, apparently an agreement was worked out and everybody agreed to resume the bout. They were both on their best behavior for round 4, but by the time Round 5 started it was clear that Smith had enough of the shenanigans, and proceeded to knock Smit out in just over a minute. Things were surprisingly calm after the win, but one must wonder if Maurice had any trouble getting out of the building unscathed that night.

RINGS has been getting a lot of attention in the Japanese media lately, as it is being reported that this promotion is, and will be, a complete shoot (although as we reported last time, this is absolutely not the case) and Maeda's decision to break away from Yamazaki and Takada was due to their not wanting to be in a full shoot organization.

Chuck Norris proved that he can do more than just roundhouse the faces of evil doers when he set a speedboat record of 12 hours, 8 mins, and 42 seconds for the 605 mile nautical trip between Chicago and Detroit. Michael Reagan (son of President Ronald Reagan) held the record before Norris, but Norris was able to beat him by about 26mins. Norris is an avid powerboat racer and was also able to beat the San Francisco to Los Angeles record last year during his second attempt.